I think I have always been aware of the radio. My father always listened in the car. I remember hearing a baseball game with the Detroit Tigers while I was on a canal boat on the C&O Canal in Washington DC in 1963. About that time I remember being on a bus in Washington and hearing a radio from the back that was playing one of my all-time favorite songs.
That song was the only Japanese song to reach number 1 in the United States. I did my best to hear the tune over the noise of the crowded bus.
It is well known that teenagers in the United Kingdom in the early sixties liked American music. Besides the R&B records of the 1950’s, there was another American music craze among English youth in the early 1960’s: Dixieland Jazz. This put the lines from Dire Straights’ Sultans of Swing into perspective (“They don’t give a damn about any trumpet playing band. It ain’t what they call rock and roll”). The Sultans were not playing some obscure music from half a century before; they were an oldies band playing a style that was popular almost two decades before and the crowd of young boys in the corner really didn’t care.
Richard Lester, the American movie director who directed the Beatles’ films Hard Days Night and Help, took his first step into the English youth/music genre in 1962 with a film called It’s Trad, Dad about a teenage boy and girl trying to get support for a concert featuring Dixieland music.
One of the bands featured in the film was Kenny Ball and his Jazzmen. Ball is known as a one-hit wonder in the United States for the 1962 hit Midnight in Moscow. In January, 1963, he had an instrumental top 10 hit in the UK with a Japanese song, Ue o Muite Arukō. Inasmuch as Ball recorded the song as an instrumental and the UK audience would not understand or be able to pronounce ue o muite arukō, the record company thought they would give it a Japanese name they thought people could pronounce: Suki Yaki.
About that time, Rich Osborn, a disc jockey at radio station KORD in Pasco, Washington, was given a copy of a 1961 Toshiba album by a young singer named Kyu Sakamoto. Osborn played the original version of Ue o Muite Arukō. It was very popular with his listeners. Word of the song’s popularity grew. Pat O’Day started playing it on KJR, Seattle. O’Day told his friend, Canadian disk jockey Red Robinson, about the record and it became popular in Canada.
Capital Records licensed the recording and released it as a single, keeping the name given by the UK label to the Ball record.
About thirty years ago, a DJ on a Seattle oldies station told the history of the record and mentioned how Osborn was credited with making the Japanese record a hit in the west. In the mid 1980’s I worked with a Rich Osborn at a station in Seattle. I called the oldies DJ and asked if the Rich Osborn I knew and the Rich Osborn at KORD in Pasco in 1963 could have been the same person. The DJ did not know.
I tried for many years to find an answer to that question but could not find any new information. A few years ago I tried again and found someone on Facebook who mentioned his friend Rich Osborn who was now retired. I messaged the person and asked. Yes, the Rich Osborn I knew and the Rich Osborn who was at KORD were the same person. While I had nothing to do with making the record a hit, I did feel a sentimental connection.
On August 12, 1985, Sakamoto was flying from Tokyo to Osaka on Japan Airlines Flight 123. Shortly after takeoff, the 747 suffered severe decompression because of poorly repaired damage that failed. Despite the best efforts of the crew, the plane crashed into the terrain around Mount Takamagahara. Everyone, including Kyu-san, knew what was sure to happen. He used his last moments to write a love note to his wife.
A lovely final act from one, whom all accounts, was a lovely person.
5 thoughts on “A Song of the World”
Suki Yaki was HUGE in the UK. I can still hum the tune to this day but the only words I knew were (and still are) Suki Yaki….
Loved that song. Thanks for the background Matt, a great read!
I can’t say the song was any kind of favorite, but I found this background quite interesting! Another great post, Matt!!
I remember the song, it has a catchy tune that I enjoyed. I didn’t know all the background information though, thanks Matt!
Why does it seem like so many great entertainers die in plane crashes?
Aloha Matthew! Just found this piece when I was looking up information about this song and my dad, Rich Osborn. Yes, he was one and that same as your coworker in Seattle. He was quietly proud of his gold record that he received for discovering Sukiyaki and it still hangs on his living room wall. Dad always had extraordinary taste in music and one thing all of his kids remember with delight is walking into the house and seeing dad sitting in front of the hi-fi, listening intently. “Come here and listen to this!” he’d say, and it could be anything from Glenn Campbell to a classical piece, and he’d play it over and over, making one or two observations on what made it special. The picking of the guitar, the lyrics, the vocalist…. he has such admiration for the art and he helped us to admire it too.
Thank you for your comments, Mary. Music is so important to life and I am so glad that your father was able to share that with you.
I have not seen your father for years. He did the overnights on KMPS-AM when I did the FM side in the summer of 1984. Later on I heard him when he was on KIXI.