I never was much of a dancer. Sure, I had been in the last two spring musicals at school but there is a difference between having two months of rehearsals with a choreographer telling you what to do as opposed to getting out on the dance floor without making a fool of yourself. Up to that point I had gone to two school dances; a sock hop in the seventh grade – where I didn’t dance – and a dance in the eighth grade where a friend goaded me into asking the girl I had a terrible crush on – the Principal’s daughter – to dance. Those were the only two dances I had been to.
It was late May 1974. In less than two weeks I would officially be a high school graduate. I wasn’t planning on dancing at this dance. That wasn’t why I was going. One reason I was going was because it was an oldies dance and I liked oldies. The main reason I was going, though, was that the DJ for the dance was the program director of KFRC, the big Top 40 station in San Francisco. I was hoping maybe I would have a chance to talk to him. Actual dancing was the farthest thing from my mind — I knew the best I could do was move like I had stuck my finger in an electrical outlet.
I hadn’t been at the dance too long when Rita came up and asked me to dance. That was great. I knew who she was and I thought she was cute. She didn’t say but I got the impression she had seen my award-winning performance as the Mayor of Sweet Apple, Ohio in the school’s recent production of Bye Bye Birdie. We danced to a couple of songs. An elephant probably would have done a better job on the dance floor than I did. Rita asked me if I knew a particular dance. I told her no. At that point she decided that I was not as great a dancer as she had ever seen and left me to fend for myself.
Shortly after that I bumped into Sandy. We had become friends in our co-ed PE class. I don’t know who asked who, but we danced to a couple of songs. Maybe because I was with a friend I felt relaxed and was beginning to warm up. We then took a break from each other.
A song or two passed and I bumped into Karen. Karen worked in the school library the period after I did. I don’t know who asked who, but we danced to a couple of songs. We then took a break from each other.
Shortly after that, Patty came up and asked me to dance. I knew Patty to see her but she was never in any of my classes and we had never spoken. We danced to a couple of songs as I had with Sandy and Karen.
In the meantime I had introduced myself to the DJ. He had an actual broadcast console, two turntables, a reel-to-reel tape deck in case he had turntable problems, a powerful amplifier, huge speakers, and several hundred 45’s. These records were not just any records that happened to find their way into his boxes – they were specifically chosen because they were good records to dance to.
Everything he played was great. He had a version of Honky Tonk by Bill Doggett which put parts 1 and 2 together. That had a groove that would have gotten Dracula out of his coffin at noon to dance.
Not wanting to make a nuisance of myself I did not stay on stage too long. I went back out into the crowd and found Sandy again. Like before, we danced to a couple of songs then went our separate ways. By now I was having a great time. I danced with Karen again and then Patty.
That was the pattern for most of the night. Two dances with Sandy, two with Karen, two with Patty, onto the stage to talk to the DJ, rinse and repeat.
At one point I was getting a little worn out. Karen and I were going to dance to one song then take a break. I forgot what song it was but it had a medium-fast tempo. That song ended and the next one began. It had a medium, slightly faster tempo. Karen and I looked at each other and said, “We have to dance to this one. Then we’ll take a break.”
The DJ kept doing that. Each new song that came on was just a little faster than the one before. If there was too big of a jump we would have said, “No, we need to take a break.” But with just a slight increase in tempo each new record was like a siren song that we could not resist. One of the songs in that set – but not the fastest by far – was California Sun by the Rivieras.
Faster and faster. We kept dancing as if there was no tomorrow. I remember at one point I shook my head and sweat came flying off of my hair like I was a dog shaking off after a swim. We must have been ready to drop. This set of music must have gone on for more than twenty minutes. We were to the point where we just could not have danced to another fast song. Then the DJ slowed it way down.
As soon as Lenny Welch began singing Since I Fell For You, Karen and I fell into each other’s arms like we were in day three of a 1930’s dance marathon. That was the last song before the DJ took a twenty-minute break. Karen and I went outside to cool off.
After the break the evening progressed much the same as it had before. I was having the time of my life. When the dance was over I stayed behind and helped the DJ pack up his gear and his records and carry them out to his VW van. He gave me a personal invitation to go down to KFRC for a tour. It has often been said that shy people become radio DJ’s. That was the case with me: I never took him up on the invitation and I regret it to this day.
As I drove home, my hands felt a little odd on the steering wheel. I stopped and looked: I had blisters on my palms from clapping and on my thumbs and middle fingers from snapping.
That was over forty-six years ago but just the thought of that night still puts a smile on my face.